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Keep “(I Just) Died In Your Arms,” give me “One for the Mockingbird.” I will take “In a Big Country,” but you must include “Fields of Fire.” After unleashing the ludicrous novelty song “Rock Me Amadeus” — a song whose radio edit contained a spoken-word timeline of Mozart’s life, making it the first No. In this way, “Vienna Calling” may be the most inspiring song of the decade.
The ’80s had the best of these; I speak of Scritti Politti’s “Perfect Way,” Jane Wiedlin’s “Rush Hour,” and Hipsway’s “The Honeythief” to name but three.That’s who we supported, us record-buying teenagers of the ’80s, because we had no other choice.There was no Radio Disney to market to us in our infancy, no Nickelodeon stars waiting in an incubator to become pop stars, no Kidz Bop to translate American lyrics into child.We were taught by a strict group of Benedictine monks, most of whom were British and all of whom were empowered to smack us right in the head, hands, or backside if we were sassy, which we mostly were.We wore ties every day, we always had to be on a sports team, our school day went from to .
They may peak before the height of convertible season, but they get you there, and that’s just as important. Falco, “Vienna Calling” Is there anything better than a second single from a one-hit wonder?